"Piano Concerto No. 23 in A Major, K. 488: II. Adagio" by Wolfgang Amadeus Mozart, Sir Adrian Boult, Philharmonia Orchestra was released on May 1, 2021. Since Piano Concerto No. 23 in A Major, K. 488: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 50 in Classical Piano Masterpieces by Various Artists. In terms of popularity, Piano Concerto No. 23 in A Major, K. 488: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Wolfgang Amadeus Mozart, Sir Adrian Boult, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in B Flat Major, D. 485: II. Andante con moto | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | E♭ Major | 1 | 5B | 81 BPM | ||
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra | C Minor | 1 | 5A | 91 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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