On December 3, 1992, the song "Merrie England: Hornpipe" was released by Edward German, Slovak Radio Symphony Orchestra, Adrian Leaper. With Merrie England: Hornpipe being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward German's "German: Nell Gwyn / Gipsy Suite / Henry Viii" album is number 17 out of 20. In terms of popularity, Merrie England: Hornpipe is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Merrie England: Hornpipe by Edward German, Slovak Radio Symphony Orchestra, Adrian Leaper to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Symphony No. 6 in F, Op. 68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Royal Philharmonic Orchestra, Henry Lewis | F Minor | 1 | 4A | 70 BPM | ||
The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | ||
Rachmaninoff Fantasia | Liberace with Paul Weston and His Orchestra, Liberace, Paul Weston And His Orchestra | D Major | 1 | 10B | 83 BPM | ||
Forgive My Error | Max Richtar | G Minor | 1 | 6A | 182 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Fantasia dall'Italia: "Nel cor più non mi sento" dalla Bella Molinara di Giovanni Paisiello, Op. 4: VIII. Variazione VI Finale presto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | G Major | 5 | 9B | 80 BPM |
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