Johann Sebastian Bach, Keith Jarrett made "The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in D Minor, BWV 851 - Live in Troy, NY / 1987" available on June 14, 2019. With The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in D Minor, BWV 851 - Live in Troy, NY / 1987 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 11 out of 48. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in D Minor, BWV 851 - Live in Troy, NY / 1987's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in D Minor, BWV 851 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.2 in C minor BWV871 | Daniel Barenboim | E♭ Major | 1 | 5B | 92 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
24 Preludes, Op. 11: No. 2 in A Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 0 | 4A | 65 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Partita No. 5 in G Major, BWV 829: II. Allemande | Johann Sebastian Bach, Glenn Gould | D Major | 3 | 10B | 103 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM |
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