Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer's 'Il barbiere di Siviglia (The Barber of Seville): Act II: Trio: Ah! Rosina! Voi, Lindoro! (Count Almaviva, Rosina, Bartolo)' came out on July 15, 2014. Il barbiere di Siviglia (The Barber of Seville): Act II: Trio: Ah! Rosina! Voi, Lindoro! (Count Almaviva, Rosina, Bartolo) is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #19. Il barbiere di Siviglia (The Barber of Seville): Act II: Trio: Ah! Rosina! Voi, Lindoro! (Count Almaviva, Rosina, Bartolo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Act II: Trio: Ah! Rosina! Voi, Lindoro! (Count Almaviva, Rosina, Bartolo) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 3 in G Major, BWV 1048: I. Without Tempo Indication | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | F♯ Major | 1 | 2B | 83 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | ||
Organ Concerto No. 6 in B-Flat Major, Op. 4, HWV 294 - Arr. for Harp: 1. Andante Allegro | George Frideric Handel, Nicanor Zabaleta, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E♭ Minor | 1 | 2A | 136 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Henry Raudales, Munich Radio Orchestra | G Major | 1 | 9B | 114 BPM | ||
Amor vendicato, R 2.7: No. 25, Viva il dio, fanciullo arciero - Live | Giovanni Paisiello, Mariano Patti, Choraliter, Orchestra da Camera del Giovanni Paisiello Festival, Dario Candela | D Major | 1 | 10B | 80 BPM | ||
Oboe Concerto in C Major - Arr. Benjamin: 4. Allegro giusto | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 108 BPM | ||
Overture in D Major, Op. 8, No. 2: III. Rondo: Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 137 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Harp Concerto in A major: 1. Allegro molto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 122 BPM |
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