Giovanni Paisiello, Mariano Patti, Choraliter, Orchestra da Camera del Giovanni Paisiello Festival, Dario Candela's 'Amor vendicato, R 2.7: No. 25, Viva il dio, fanciullo arciero - Live' came out on May 30, 2023. With Amor vendicato, R 2.7: No. 25, Viva il dio, fanciullo arciero - Live being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Paisiello: Amor vendicato, R 2.7 (Live)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Italy. Amor vendicato, R 2.7: No. 25, Viva il dio, fanciullo arciero - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Amor vendicato, R 2.7: No. 25, Viva il dio, fanciullo arciero - Live by Giovanni Paisiello, Mariano Patti, Choraliter, Orchestra da Camera del Giovanni Paisiello Festival, Dario Candela having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Capriol Suite: II. Pavane | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
La clemenza di Tito / Act 2: "Se mai senti spirarti sul volto" | Josef Mysliveček, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 76 BPM | ||
Concerto for Harp and Orchestra in C: 1. Allegro brillante | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | G Major | 2 | 9B | 120 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Recitative: Nessun scriver mi vede (Rosina, Figaro, Bartolo) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | A Major | 1 | 11B | 132 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM |
Section: 0.6989181041717529
End: 0.702803373336792