Orchestre National De France, Louis Martini's 'Symphony No.5 in B-flat major, Op.100: II. Allegro moderato' came out on March 30, 2010. Since Symphony No.5 in B-flat major, Op.100: II. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Soviet Classics (Standing Ovation Series)". In this album, this song's track order is #14. Symphony No.5 in B-flat major, Op.100: II. Allegro moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No.5 in B-flat major, Op.100: II. Allegro moderato by Orchestre National De France, Louis Martini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | B♭ Major | 1 | 6B | 76 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate" - "Non so nulla!" (Scarpia, Tosca, Cavaradossi, Spoletta) | Giacomo Puccini, Matteo Manuguerra, Galina Vishnevskaya, Franco Bonisolli, Mario Guggia, Orchestre National De France, Mstislav Rostropovich | E♭ Major | 3 | 5B | 131 BPM | ||
Les biches - Suite: Rondeau | Francis Poulenc, Orchestre National De France, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Symphony No. 2, Op. 17: IIIa. Un poco lento, marziale | George Enescu, Orchestre National De France, Cristian Măcelaru | A♭ Major | 0 | 4B | 141 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |
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