"Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa)" by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenia Ratti, Fiorenza Cossotto, Franco Ricciardi, Giuseppe Morresi, Nicola Monti, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto was released on September 19, 2014. The duration of Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) is about 3 minutes long, at 3:02. Based on our data, "Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 34 in Bellini: La sonnambula (1957 - Votto) - Callas Remastered by Vincenzo Bellini, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bellini: La sonnambula, Act 1: "Come per me sereno" - "Sempre, o felice Amina" (Amina, Teresa, Notaro, Alessio, Chorus, Elvino, Rodolfo, Lisa) by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenia Ratti, Fiorenza Cossotto, Franco Ricciardi, Giuseppe Morresi, Nicola Monti, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
La Damnation de Faust, Op. 24 / Part 4: Berlioz: La Damnation de Faust, Op.24: D'amour l'ardente flamme | Hector Berlioz, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | F Major | 2 | 7B | 75 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM | ||
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Raffaele Arie, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 4 | 10B | 141 BPM |
Section: 0.6479699611663818
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