Claude Debussy, Itzhak Perlman, Samuel Sanders's 'Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet' came out on October 3, 2005. The duration of Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #15 out of 46 tracks. In terms of popularity, Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet by Claude Debussy, Itzhak Perlman, Samuel Sanders has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Debussy / Arr. Dushkin for Violin and Piano: Petite suite, CD 71, L. 65: III. Menuet being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gnossienne No. 1 | Alena Cherny | F Minor | 0 | 4A | 72 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
L'isle joyeuse, L. 106 | Claude Debussy, Seong-Jin Cho | B Minor | 1 | 10A | 102 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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