"Tonight We Love" by Pyotr Ilyich Tchaikovsky, Carmen Cavallaro was released on January 1, 1992. The duration of Tonight We Love is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Tonight We Love's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Dazzling Poet Of The Piano". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Tonight We Love is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tonight We Love by Pyotr Ilyich Tchaikovsky, Carmen Cavallaro having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Autumn Leaves Les Feuille Mortes - Jazz Guitar Easy Lessons 120bpm | Federico Labbiento, Francesco Digilio | G Minor | 1 | 6A | 120 BPM | ||
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | C Major | 0 | 8B | 160 BPM | ||
Continue (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Minor | 2 | 6A | 79 BPM | ||
La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
To Love Again (Finale) - From "The Eddy Duchin Story" Soundtrack | Carmen Cavallaro | E♭ Major | 1 | 5B | 99 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Stardreams (Theme) | Charlie Spivak & His Orchestra | D Minor | 2 | 7A | 178 BPM | ||
Petite Piece Concertante | Guillaume Balay, Ryan Gardner, Charity Wicks | B♭ Minor | 1 | 3A | 111 BPM |
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