Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz made "Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer" available on January 1, 2016. The duration of Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Violin Concerto, Op. 12, Kleine Dreigroschenmusik & Berlin im Licht by Kurt Weill, Henry Raudales, Munich Radio Orchestra, Gerd Müller-Lorenz. The song's track number on the album is #7 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer by Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer being at 160 BPM, the half-time would be 80 BPM with a double-time of 320 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Weeping Willows | Charlie Chaplin, Philippe Quint | D Minor | 1 | 7A | 91 BPM | ||
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
Badinerie [Orchestral Suite No.2 BWV 1067] | The Swingle Singers | E Minor | 6 | 9A | 128 BPM | ||
Youkali | Kurt Weill, Ute Lemper, Jeff Cohen, Rias-Sinfonietta Berlin, John Mauceri | G Minor | 1 | 6A | 79 BPM | ||
Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |
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