Giovanni Pacini, Mario Guggia, Teatro San Carlo Orchestra & Chorus, Louis Quilico, Franca Mattiucci, Maurizio Piacente, Leyla Gencer's 'Pacini: Saffo: Alcandro, il rito - Ippia, Chorus, Alcandro, Climene, Lisimaco, Saffo - Act Three' came out on April 11, 2006. Since Pacini: Saffo: Alcandro, il rito - Ippia, Chorus, Alcandro, Climene, Lisimaco, Saffo - Act Three is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Saffo". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Pacini: Saffo: Alcandro, il rito - Ippia, Chorus, Alcandro, Climene, Lisimaco, Saffo - Act Three is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pacini: Saffo: Alcandro, il rito - Ippia, Chorus, Alcandro, Climene, Lisimaco, Saffo - Act Three by Giovanni Pacini, Mario Guggia, Teatro San Carlo Orchestra & Chorus, Louis Quilico, Franca Mattiucci, Maurizio Piacente, Leyla Gencer having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, José Carreras, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 75 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Saffo: Act II: Scena I - Al crin le cingete la rosea corona | Giovanni Pacini, Davide Baronchelli, Gemma Bertagnolli, Roberto de Candia, Aled Hall, Lubomir Matl, Francesca Pedaci, Mariana Pentcheva, Carlo Ventre, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Maurizio Benini | G Major | 0 | 9B | 127 BPM |
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