"Les heures persanes, Op. 65: No. 7. Chant du soir: Tres calme" by Charles Koechlin, Ralph van Raat was released on April 5, 2011. The duration of Les heures persanes, Op. 65: No. 7. Chant du soir: Tres calme is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Les heures persanes, Op. 65: No. 7. Chant du soir: Tres calme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Koechlin, Ralph van Raat's "Koechlin: Les heures persanes" album is number 7 out of 16. Les heures persanes, Op. 65: No. 7. Chant du soir: Tres calme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les heures persanes, Op. 65: No. 7. Chant du soir: Tres calme by Charles Koechlin, Ralph van Raat to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 1, La vision | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 127 BPM | ||
Deux_parties._Quatre_notes_contre_une._Majeurs F | Pablo Lecavalier-Ruiz, Charles Koechlin | C Major | 1 | 8B | 70 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | E♭ Major | 1 | 5B | 112 BPM | ||
Romance Op. 23 | Amy Beach, Bomsori, Julia Okruashvili | A Major | 1 | 11B | 87 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Escales: Rome - Palerme | Jacques Ibert, Lamoureux Concerts Orchestra, Yutaka Sado | A♭ Major | 1 | 4B | 74 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |
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