Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne
Francis Poulenc
Meet the Composer - Francis Poulenc Playing His Own Works
2:17 1951
BPM
138
Key
C Major
Camelot
8B

Embed

Share Link

Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne - Francis Poulenc Information

Acousticness
100%
Danceability
57%
Energy
1%
Instrumentalness
90%
Liveness
16%
Loudness
62%
Speechiness
8%
Valence
28%
Popularity
Loudness
-23.005 dB

Summary

Francis Poulenc's 'Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne' came out on 1951. The duration of Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 10 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne BPM

We consider the tempo marking of Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne by Francis Poulenc to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les animaux modèles Suite, FP 111: VI. Le repas de midi by Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudLes animaux modèles Suite, FP 111: VI. Le repas de midiFrancis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc TingaudG Minor16A80 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live by Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre TharaudPiano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - LiveFrancis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre TharaudA♭ Major14B135 BPM
Nocturne No.5 in B Flat Major, Op.37 by Gabriel Fauré, Pascal RogéNocturne No.5 in B Flat Major, Op.37Gabriel Fauré, Pascal RogéB♭ Major16B91 BPM
Nocturne No. 4 in A Major by John Field, Benjamin FrithNocturne No. 4 in A MajorJohn Field, Benjamin FrithA Major011B69 BPM
6 Pieces, Op. 94: No. 2 Nouvellette by Jean Sibelius, Håvard Gimse6 Pieces, Op. 94: No. 2 NouvelletteJean Sibelius, Håvard GimseF Major17B69 BPM
Sonata in E major, K.135 by Domenico Scarlatti, Vladimir HorowitzSonata in E major, K.135Domenico Scarlatti, Vladimir HorowitzD♭ Major13B101 BPM
4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. Allegro by Bedřich Smetana, Jitka Čechová4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. AllegroBedřich Smetana, Jitka ČechováF♯ Minor111A90 BPM
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major by Fanny Mendelssohn, Sophie PaciniMendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B MajorFanny Mendelssohn, Sophie PaciniD♭ Minor012A68 BPM
Nocturne No. 13 in D Minor by John Field, Benjamin FrithNocturne No. 13 in D MinorJohn Field, Benjamin FrithF Major17B69 BPM
ISRC
USSM15000355
Label
L-M Records/RCA Records

Section: 1.1431071758270264

End: 1.1480631828308105