Francis Poulenc's 'Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne' came out on 1951. The duration of Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 10 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite française d'après Claude Gervaise, FP 80b: IV. Sicilienne by Francis Poulenc to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Nocturne No.5 in B Flat Major, Op.37 | Gabriel Fauré, Pascal Rogé | B♭ Major | 1 | 6B | 91 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
6 Pieces, Op. 94: No. 2 Nouvellette | Jean Sibelius, Håvard Gimse | F Major | 1 | 7B | 69 BPM | ||
Sonata in E major, K.135 | Domenico Scarlatti, Vladimir Horowitz | D♭ Major | 1 | 3B | 101 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 1 in F-Sharp Minor, Prelude. Allegro | Bedřich Smetana, Jitka Čechová | F♯ Minor | 1 | 11A | 90 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM |
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