Philip Glass, Quatuor Molinari made "String Quartet No. 3 "Mishima": III. Grandmother and Kimitake" available on June 10, 2022. The duration of String Quartet No. 3 "Mishima": III. Grandmother and Kimitake is about 3 minutes long, at 3:03. Based on our data, "String Quartet No. 3 "Mishima": III. Grandmother and Kimitake" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, Quatuor Molinari's "Glass: Complete String Quartets - String Quartets Nos. 1 - 4 (Vol. 1)" album is number 7 out of 15. On top of that, Canada appears to be the country where this track was created. Based on our statistics, String Quartet No. 3 "Mishima": III. Grandmother and Kimitake's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of String Quartet No. 3 "Mishima": III. Grandmother and Kimitake by Philip Glass, Quatuor Molinari to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
North Star: Étoile polaire (Arranged by James McVinnie) | Philip Glass, James McVinnie | C Minor | 0 | 5A | 126 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM | ||
Bær | Hildur Guðnadóttir | E Minor | 1 | 9A | 75 BPM | ||
Études: No. 5 - Reworked By Christian Badzura | Philip Glass, Víkingur Ólafsson, Siggi String Quartet, Christian Badzura | F Minor | 0 | 4A | 89 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Emerald and Stone (Arr. Knoth) | Brian Eno, Jon Hopkins, Leo Abrahams, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | B Major | 3 | 1B | 82 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM |
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