"Serenade: III. Intermède (version for oboe and piano)" by André Jolivet, Stefan Schilli, Oliver Triendl was released on October 1, 2013. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in André Jolivet, Stefan Schilli, Christiane Karg, Cristina Bianchi, Marco Postinghel, Sebastian Klinger, Oliver Triendl's "Jolivet: Chamber Music for Oboe and Cor Anglais" album is number 3 out of 17. On top of that, Germany appears to be the country where this track was created. Serenade: III. Intermède (version for oboe and piano) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Serenade: III. Intermède (version for oboe and piano) by André Jolivet, Stefan Schilli, Oliver Triendl to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1891 Vienna Version, Ed. G. Brosche): II. Adagio | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | C Minor | 1 | 5A | 131 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
The Perfumed Calyx | Lyle Chan, Michael Duke, David Howie | B♭ Major | 3 | 6B | 118 BPM | ||
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
Mad Song: II. Lo! To the Vault of Paved Heaven... | Geoffrey Gordon, BBC Scottish Symphony Orchestra, Martyn Brabbins, Dimitri Mestdag | F Major | 1 | 7B | 171 BPM |
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