Louis Couperin, Massimo Berghella made "Harpsichord Suite No. 13 in C Minor: XXXIII. Gigue" available on June 30, 2023. The duration of Harpsichord Suite No. 13 in C Minor: XXXIII. Gigue is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Harpsichord Suite No. 13 in C Minor: XXXIII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 102 out of 129 in Couperin: Complete Harpsichord Music by Louis Couperin, Massimo Berghella. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Harpsichord Suite No. 13 in C Minor: XXXIII. Gigue's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Suite No. 13 in C Minor: XXXIII. Gigue by Louis Couperin, Massimo Berghella is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Cello Sonata in G Major, Op. 1, No. 6: III. Grave | Benedetto Marcello, Collegium Pro Musica | B Major | 2 | 1B | 96 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Sonata in G Major for Two Flutes and Basso Continuo, RV 80: II. Larghetto | Antonio Vivaldi, ConSerto Musico, Mario Folena, Roberto Loreggian, Stefania Marusi | E♭ Minor | 0 | 2A | 114 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Major | 4 | 12B | 136 BPM | ||
L'art de toucher le clavecin: No. 1, Prelude in C Major | François Couperin, Andrew Appel | A♭ Minor | 3 | 1A | 119 BPM | ||
The Gordion Knot Unty'd, Z. 597: Fourth Act Tune: Jig | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 100 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM |
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