Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis) - Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Information

Acousticness: 98%
Danceability: 30%
Energy: 12%
Instrumentalness: 0%
Liveness: 68%
Loudness: 62%
Speechiness: 5%
Valence: 12%
Popularity: 0%
Loudness: -22.932 dB

Summary

"Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 3 out of 61. Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis) BPM

We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Mathis Der Maler, 6th Tableau, Scene 1: Alte Märchen woben uns fromme Bilder (Mathis) Key

This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Japanese Suite, Op. 33: III. Dance of the Marionette	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	0	5A	177 BPM
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto	Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe	E♭ Major	0	5B	91 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Lebhaft I	Paul Hindemith, Leonard Bernstein, New York Philharmonic	D Major	3	10B	143 BPM
Dutilleux: Sonatine for Flute and Piano: I. Allegretto -	Henri Dutilleux, Emmanuel Pahud, Eric Le Sage	B♭ Major	0	6B	75 BPM
Viola Sonata, Op. 25, No. 1: I. Breit Viertel	Paul Hindemith, Nobuko Imai	E Minor	1	9A	132 BPM
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen	Robert Schumann, Lucerne Festival Strings, Daniel Dodds	D♭ Major	0	3B	71 BPM
Viola Sonata, Op. 11, No. 5: IV. In Form und Zeitmass einer Passacaglia. Das Thema sehr gahalten	Paul Hindemith, Nobuko Imai	B♭ Major	2	6B	101 BPM
Aubade, FP 51a: VII. Récitatif. Introduction à la variation	Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp	B♭ Minor	0	3A	70 BPM
Karadec Suite, Op. 34: II. Chanson	Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang	E♭ Major	0	5B	70 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records