"Aubade, FP 51a: VII. Récitatif. Introduction à la variation" by Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp had its release date on June 21, 1989. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Aubade, FP 51a: VII. Récitatif. Introduction à la variation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Poulenc: Aubade & Sinfonietta – Hahn: Le Bal de Béatrice d'Este". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Aubade, FP 51a: VII. Récitatif. Introduction à la variation is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aubade, FP 51a: VII. Récitatif. Introduction à la variation by Francis Poulenc, Julian Evans, New London Orchestra, Ronald Corp having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.