Jean-Marie Leclair, John Eliot Gardiner, The Monteverdi Choir, René Schirrer, English Baroque Soloists's 'Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples)' came out on February 24, 2023. The duration of Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 2 out of 98. On top of that, France appears to be the country where this track was created. In terms of popularity, Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Prologue: "Reine de la nature" (Chœur, Chef des peuples) by Jean-Marie Leclair, John Eliot Gardiner, The Monteverdi Choir, René Schirrer, English Baroque Soloists to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: I. Presto assai | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 3 | 3B | 82 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F♯ Minor | 2 | 11A | 135 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Concerto in C Minor for Recorder & Strings, RV 441: 2. Largo | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | F♯ Minor | 0 | 11A | 69 BPM | ||
Sonata in C Minor, Jung III.2.B: II. Allegro | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | A Major | 3 | 11B | 116 BPM | ||
Concerto a cinque No. 3, Op. 7: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 5 | 11B | 110 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM |
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