Montserrat Figueras, Tarquinio Merula's 'Su Ma Cestra Amorosa (Aria Di Ciaccona)' came out on August 25, 2009. Since Su Ma Cestra Amorosa (Aria Di Ciaccona) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Tarquinio Merula: Arie E Capricci A Voce Sola". In this album, this song's track order is #3. Based on our statistics, Su Ma Cestra Amorosa (Aria Di Ciaccona)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Su Ma Cestra Amorosa (Aria Di Ciaccona) by Montserrat Figueras, Tarquinio Merula having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibil-La Mallorquina: Ladonchs No Haurà Hom Talent R/ (Monastère Des Nonnes De La Concepció) | La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall | F Major | 0 | 7B | 73 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Major | 0 | 3B | 104 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Motets: Alma redemptoris mater | Guillaume Dufay, Pomerium, Alexander Blachly | C Major | 1 | 8B | 74 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Quelles beautés, ô mortels (Récit de Mnémosyne) | Antoine Boësset, Simone Kermes, Enrico Casazza | D Major | 4 | 10B | 91 BPM | ||
Ave generosa | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | A Minor | 0 | 8A | 134 BPM | ||
Lady Rich's Galliard | Hopkinson Smith, John Dowland | G Major | 1 | 9B | 96 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Cantiones sacrae sex vocum: IV. Qui timet Deum | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | C Major | 2 | 8B | 78 BPM |
Section: 0.9711859226226807
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