Giuseppe Verdi, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna's 'Rigoletto: La donna è mobile' came out on 1964. The duration of Rigoletto: La donna è mobile is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Rigoletto: La donna è mobile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 18 in Amore II - Great Italian Love Arias by Luciano Pavarotti. Rigoletto: La donna è mobile is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rigoletto: La donna è mobile by Giuseppe Verdi, Luciano Pavarotti, Emerson Buckley, Orchestra Sinfonica dell'Emilia-Romagna is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe) | Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra | A Minor | 3 | 8A | 87 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Georges Prêtre, Montserrat Caballé, Carlo Bergonzi, RCA Italiana Opera Orchestra | D Minor | 0 | 7A | 106 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | B Minor | 2 | 10A | 90 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Ach, sie kennen nicht dies Leben [Non Sapete Quale Affetto] (Germont, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Josef Metternich/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Minor | 2 | 4A | 136 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | ||
歌劇椿姫第 1幕 乾杯の歌 ''陽気に楽しく杯をくみ交そう'' | Giuseppe Verdi, Francesco Maria Piave, 鷲尾麻衣, 穴見めぐみ, 秋川雅史 | B♭ Major | 3 | 6B | 205 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |
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