Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra's 'Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe)' came out on 1976. The duration of Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe) is about 3 minutes long, at 3:20. Based on our data, "Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Macbeth by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti. The song's track number on the album is #2 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe) by Giuseppe Verdi, Ambrosian Opera Chorus/John McCarthy/New Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, New Philharmonia Orchestra has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Macbeth, Act 1: Che faceste? Dite su! (Streghe) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
La traviata / Act 1: Follie! Delirio vano è questo! - Sempre libera | Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 79 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Agnus Dei | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | C Major | 0 | 8B | 88 BPM | ||
Don Pasquale, Act I Quarta Scena: So anch'io la virtù magica (Norina) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
Le Nozze di Figaro, Act 1: Giovani liete, fiori spargete | Wolfgang Amadeus Mozart, Vienna State Opera Chorus, Riccardo Muti, Wiener Philharmoniker | G Major | 1 | 9B | 91 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Mefistofele: Prologue - Intermezzo | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 83 BPM |
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