"Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. M. Ravel)" by Modest Mussorgsky, Slovak Philharmonic, Daniel Nazareth was released on February 5, 1988. Since Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. M. Ravel) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Modest Mussorgsky, Slovak Philharmonic's "Mussorgsky: Pictures at an Exhibition / Borodin: Polovtsian Dances" album is number 15 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. M. Ravel) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. M. Ravel) by Modest Mussorgsky, Slovak Philharmonic, Daniel Nazareth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM |
Section: 0.6467883586883545
End: 0.6511921882629395