Nikolai Rimsky-Korsakov, хор Большого театра, Александр Лазарев, Оркестр Большого театра's 'Снегурочка, пролог: Пляски птиц "Собрались птицы"' came out on September 23, 2016. The duration of Снегурочка, пролог: Пляски птиц "Собрались птицы" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Снегурочка, пролог: Пляски птиц "Собрались птицы"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Снегурочка, пролог: Пляски птиц "Собрались птицы"" is a single. Based on our statistics, Снегурочка, пролог: Пляски птиц "Собрались птицы"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Снегурочка, пролог: Пляски птиц "Собрались птицы" by Nikolai Rimsky-Korsakov, хор Большого театра, Александр Лазарев, Оркестр Большого театра is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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