Vincenzo de Crescenzo, Beniamino Gigli, Enrico Sivieri's 'Quanno 'a femmena vo'' came out on June 1, 1991. With Quanno 'a femmena vo' being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "RECITAL AL TEATRO GRAN REX - BUENOS AIRES 1950". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Italy. Quanno 'a femmena vo' is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Quanno 'a femmena vo' by Vincenzo de Crescenzo, Beniamino Gigli, Enrico Sivieri having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: Aria. "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Claudio Scimone, I Solisti Veneti, Marilyn Horne | D Major | 1 | 10B | 87 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Tarantella sincera | Vincenzo de Crescenzo, Joseph Schmidt | F Major | 3 | 7B | 135 BPM | ||
Adriana Lecouvreur: Act I: la Dolcissima Effige | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanova, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Rondine Al Nido | Vincenzo de Crescenzo, Beniamino Gigli | F Major | 1 | 7B | 95 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Andrew Parrott, Taverner Choir, Taverner Players | D Major | 2 | 10B | 121 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Paul Daniel, Lesley Garrett, Robin Blaze | F Minor | 1 | 4A | 93 BPM | ||
"Coro a bocca chiusa" | Filippa Giordano | A Major | 3 | 11B | 67 BPM |
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