Giuseppe Verdi, Helmut Krebs, RIAS-Symphonie-Orchester, Ferenc Fricsay made "Messa da Requiem: II. Ingemisco" available on January 1, 1954. The duration of Messa da Requiem: II. Ingemisco is about 3 minutes long, at 3:13. Based on our data, "Messa da Requiem: II. Ingemisco" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin. The song's track number on the album is #8 out of 15 tracks. Based on our data, Germany was the country where this track was produced or recorded. Messa da Requiem: II. Ingemisco is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Messa da Requiem: II. Ingemisco by Giuseppe Verdi, Helmut Krebs, RIAS-Symphonie-Orchester, Ferenc Fricsay has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messa da Requiem: II. Ingemisco being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Tuba Mirum | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | G Minor | 2 | 6A | 104 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM |
Section: 0.7308454513549805
End: 0.7354745864868164