On January 1, 1998, the song "Lauda Jerusalem (Psalm 147), R.609" was released by Antonio Vivaldi, Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate, Alastair Ross. Since Lauda Jerusalem (Psalm 147), R.609 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vivaldi: Sacred Music by Antonio Vivaldi, Various Artists, Vittorio Negri, English Chamber Orchestra. The song's track number on the album is #1 out of 271 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Lauda Jerusalem (Psalm 147), R.609 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Lauda Jerusalem (Psalm 147), R.609 by Antonio Vivaldi, Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate, Alastair Ross has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lauda Jerusalem (Psalm 147), R.609 being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Allegro | I Musici Di San Marco, Alberto Lizzio | A Major | 1 | 11B | 92 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
Section: 0.6413121223449707
End: 0.6453557014465332