Giuseppe Verdi, Luciano Pavarotti, Sondra Kelly, Metropolitan Opera Orchestra, James Levine's 'La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!"' came out on January 1, 1992. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marianne Eklof, Barbara Bonney, Gösta Ohlin's Vocal Ensemble & Pro Musica Chamber Choir, Richard Wagner, Bernard Haitink, Richard Wagner, Gerard Schwarz, Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #11 out of 38 tracks. In terms of popularity, La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" by Giuseppe Verdi, Luciano Pavarotti, Sondra Kelly, Metropolitan Opera Orchestra, James Levine has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act II: "Nous avons en tête une affaire" | Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Russell Christopher, Andrea Velis, Metropolitan Opera Orchestra, Leonard Bernstein | F Minor | 3 | 4A | 171 BPM | ||
Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
Ferne von ihr - Ach, ihres Auges Zauberblick / Lunge da lei - De' miei bollenti spiriti - La Traviata, Alfredo, 2. Akt;1988 Remastered Version | Francesco Maria Piave, Giuseppe Verdi, Josef Traxel | E♭ Major | 2 | 5B | 76 BPM | ||
Parsifal / Act 3: "Wie dünkt mich doch die Aue heut so schön" - Karfreitagszauber | Richard Wagner, Plácido Domingo, Kurt Moll, Metropolitan Opera Orchestra, James Levine | F Major | 1 | 7B | 77 BPM | ||
Tre Sonetti di Petrarca, S. 270: 3. I' vidi in terra | Franz Liszt, Luciano Pavarotti, John Wustman | A♭ Major | 1 | 4B | 72 BPM | ||
Norma / Act 1: "Meco all'altar di Venere" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | C Minor | 3 | 5A | 62 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM |
Section: 0.6390700340270996
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