On September 28, 1998, the song "Partita Nr. 1, B-Dur, BWV 825: VI. Giga" was released by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt. The duration of Partita Nr. 1, B-Dur, BWV 825: VI. Giga is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Partita Nr. 1, B-Dur, BWV 825: VI. Giga's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt's "Johann Sebastian Bach: Italienisches Konzert, F-Dur, BWV 971 - Partita Nr. 1, B-Dur, BWV 825 - Toccata D-Dur, BWV 912" album is number 9 out of 10. In terms of popularity, Partita Nr. 1, B-Dur, BWV 825: VI. Giga is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Partita Nr. 1, B-Dur, BWV 825: VI. Giga by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude - La Cathedrale engloutie | Peter Schmalfuss | C Major | 0 | 8B | 71 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 3 in F Major for solo violin, RV293 "L'Autunno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | C Major | 2 | 8B | 152 BPM | ||
Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: III. Allegro Vivace | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | F Minor | 1 | 4A | 105 BPM | ||
Divertmento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | C Major | 1 | 8B | 176 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Capriccio, Op. 85: Mondscheinmusik | Richard Strauss, Daniel Barenboim, Wiener Philharmoniker | A Major | 1 | 11B | 82 BPM | ||
Etude No. 3 in E Major, Op. 10: "Tristesse" | Frédéric Chopin, Peter Schmalfuss | E Major | 0 | 12B | 67 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM |
Section: 0.7258706092834473
End: 0.729973316192627