"Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: II. Andante" by Antonio Vivaldi, Adrian Chandler, La Serenissima was released on September 4, 2015. With Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: II. Andante being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Four Seasons & Concertos for Bassoon and Violin "in tromba marina"". In this album, this song's track order is #18. In terms of popularity, Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: II. Andante by Antonio Vivaldi, Adrian Chandler, La Serenissima having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 5 for Violin, Strings & Continuo in C Minor, Op. 1.9: II. Largo | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Violin Concerto In F Major, RV 286, Concerto Per La Solennita Di San Lorenzo: III. Allegro Non Molto | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | F Major | 1 | 7B | 93 BPM | ||
Variaciones Sobre un Tema de F.Sor, Op. 15 | Miguel Llobet Solés, Andrés Madariaga | E Minor | 2 | 9A | 81 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 13 in B-Flat Major | Niccolò Paganini, Itzhak Perlman | B♭ Major | 1 | 6B | 67 BPM | ||
Chamber Concerto in C Major, RV 555: II. Largo et piacimento | Anonymous, Antonio Vivaldi, L'Académie Sainte-Cécile, Philippe Couvert | B Minor | 0 | 10A | 92 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
María Gavota | Francisco Tárrega, Andrés Madariaga | A Minor | 2 | 8A | 91 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM |
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