Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick's ' "Coronis, Jornada segunda: No. 17, Qué simplón, que insolente" was released on its scheduled release date, February 11, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Coronis, Jornada segunda: No. 17, Qué simplón, que insolente's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #17. Furthermore, we believe that the track originated from France. Based on our statistics, Coronis, Jornada segunda: No. 17, Qué simplón, que insolente's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Coronis, Jornada segunda: No. 17, Qué simplón, que insolente by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Primo libro de' madrigali, Op. 1: Volano frettolosi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Coronis, Jornada segunda: No. 24, Ya, inmortales dioses | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans | A♭ Minor | 2 | 1A | 62 BPM | ||
Egisto, Atto III Scena 10: Amanti, se credete | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores | A Major | 1 | 11B | 109 BPM | ||
Ay, qué me abraso de amor en la llama | Sebastian Durón, Maria Luiz Alvarez, Accentus Austria, Thomas Wimmer | A♭ Minor | 3 | 1A | 121 BPM | ||
Dixit Dominus, RV 595: De torrente in via bibet: Largo | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E♭ Minor | 0 | 2A | 98 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 4, Lachtder Leuchte der Gerechten taumelt nur in babels nachten | Georg Philipp Telemann, Bergen Barokk | F Major | 2 | 7B | 116 BPM | ||
Artaserse, Act I Scene 15: Aria. Vo solcando un mar crudele (Arbace) | Leonardo Vinci, Samuel Mariño, Orchestre de l'Opéra Royal, Stefan Plewniak | D♭ Major | 3 | 3B | 86 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM |