Jean-François Dandrieu, Dieter Glös's 'Magnificat: IV. Basse de cromorne' came out on January 1, 1994. With Magnificat: IV. Basse de cromorne being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Organ Recital: Glos, Dieter - Bruhns, N. / Pachelbel, J. / Bach, J.S. / Dandrieu, J.-F. / Daquin, L.-C. (Angermunde, Wagner-Orgel)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. The popularity of Magnificat: IV. Basse de cromorne is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magnificat: IV. Basse de cromorne by Jean-François Dandrieu, Dieter Glös having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: III. Presto | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | B Major | 3 | 1B | 141 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Suite No. 12 in C Major, FbWV 612: I. Allemande: Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 1 | 2B | 143 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 4 | 2B | 129 BPM |
Section: 0.7359519004821777
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