"Magnificat & Nunc Dimittis in A: Magnificat" by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha was released on October 23, 2019. Magnificat & Nunc Dimittis in A: Magnificat is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. Because this song is the only song in Magnificat & Nunc Dimittis in A: Magnificat and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Magnificat & Nunc Dimittis in A: Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat & Nunc Dimittis in A: Magnificat by Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 63: IVf. Rex tremendae maiestatis – | Charles Villiers Stanford, James Way, Ross Ramgobin, Carolyn Sampson, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 2 | 9A | 88 BPM | ||
Do Not Be Afraid | Philip Stopford, The Ecclesium Choir | D Major | 0 | 10B | 72 BPM | ||
Requiem, Op. 63: IVi. Iuste iudex ultionis – | Charles Villiers Stanford, James Way, City Of Birmingham Symphony Orchestra, Martyn Brabbins | B♭ Major | 1 | 6B | 80 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Te Deum in B-Flat | Charles Villiers Stanford, Mark Blatchly, Barry Rose | B♭ Major | 2 | 6B | 91 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Evening Service in E-Flat: I. Magnificat | Charles Villiers Stanford, Winchester Cathedral Choir, Christopher Monks, David Hill | G Major | 1 | 9B | 77 BPM | ||
Evening Service in B-Flat, Op. 10, Pt. 3: I. Magnificat | Charles Villiers Stanford, Stephen Farr, Winchester Cathedral Choir, David Hill | G Major | 1 | 9B | 77 BPM | ||
Five Hebrew Love Songs: Rakút (Tenderness) | Eric Whitacre, Eric Whitacre Singers | G Major | 1 | 9B | 92 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM |
Section: 0.6869564056396484
End: 0.7045307159423828