Johann Jakob Froberger, Władysław Kłosiewicz's 'Suite No. 20 in D Major, FbWV 620: IV. Sarabande' came out on May 26, 2010. The duration of Suite No. 20 in D Major, FbWV 620: IV. Sarabande is about 3 minutes long, at 3:02. Based on our data, "Suite No. 20 in D Major, FbWV 620: IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "pour passer la melancholie". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Poland. In terms of popularity, Suite No. 20 in D Major, FbWV 620: IV. Sarabande is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite No. 20 in D Major, FbWV 620: IV. Sarabande by Johann Jakob Froberger, Władysław Kłosiewicz having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 9 in G Minor, RosS 533.9: II. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 0 | 11A | 131 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Trio Sonata No. 3 in C Major: I. Vivace | Daniel Purcell, Le Tresor d'Orphee | B Major | 2 | 1B | 80 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: II. Allegro ma non tropo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Suite in A Major, FbWV 608: IV. Sarabande | Johann Jakob Froberger, Gilbert Rowland | E♭ Major | 3 | 5B | 123 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Sonata in C Minor, Wq. 132: II. Allegro | Carl Philipp Emanuel Bach, Emelie Roos | B Minor | 0 | 10A | 127 BPM | ||
Gott Hilf Mir, BuxWV 34: Sonata | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Pieces in D Minor: II. Entrée d'Apollon | Jean-Baptiste Lully, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
Fantasia in F Major, Wq 59/5 | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
Section: 0.6793296337127686
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