Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin made "The Horatians and the Curiatians: No. 11, The Battle of the Archers" available on August 8, 2013. With The Horatians and the Curiatians: No. 11, The Battle of the Archers being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 11 out of 31. In terms of popularity, The Horatians and the Curiatians: No. 11, The Battle of the Archers is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Horatians and the Curiatians: No. 11, The Battle of the Archers by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five German Dances, D.90: I. Dance | Franz Schubert, Aaron Shorr, Peter Sheppard | C Major | 0 | 8B | 95 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Ivan the Terrible, Op. 116, Pt. 2: The Death of Glinskaya I | Sergei Prokofiev, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Clowns and Kids Suite (arr. F. Strobel): II. Intermezzo | Alfred Schnittke, Frank Strobel, Berlin Radio Symphony Orchestra | C Minor | 2 | 5A | 112 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Legend of Love, Act III, Scene 3: Meeting in the Mountains | Arif Melikov, Valery Gergiev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | E Minor | 0 | 9A | 143 BPM |
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