- BPM
- 95
- Key
- D Major
- Camelot
- 10B
La Nuit transfigurée Op. 4: IV. - Arnold Schoenberg, Arditti Quartet Information
- Acousticness
- 95%
- Danceability
- 17%
- Energy
- 15%
- Instrumentalness
- 73%
- Liveness
- 23%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -18.201 dB
Summary
"La Nuit transfigurée Op. 4: IV." by Arnold Schoenberg, Arditti Quartet was released on 2013. Since La Nuit transfigurée Op. 4: IV. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Schoenberg: Nuit transfigurée". In this album, this song's track order is #4. In terms of popularity, La Nuit transfigurée Op. 4: IV. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Nuit transfigurée Op. 4: IV. BPM
With La Nuit transfigurée Op. 4: IV. by Arnold Schoenberg, Arditti Quartet having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
La Nuit transfigurée Op. 4: IV. Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | |
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Valse lente | Germaine Tailleferre, Dario Müller | A Major | 0 | 11B | 67 BPM | |
 | Myrthen, Op. 25: No. 3. Der Nussbaum | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 65 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6964304447174072
End: 0.7015659809112549