"Jeder Knabe kann mein Schwert mir entreissen (Othello)" by Leo Slezak, Orchester der Staatsoper was released on October 1, 2006. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 35 out of 35. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Jeder Knabe kann mein Schwert mir entreissen (Othello) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jeder Knabe kann mein Schwert mir entreissen (Othello) by Leo Slezak, Orchester der Staatsoper to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Die Fledermaus: Act II: Finale: Bruderlein und Schwesterlein (Falke) | Johann Strauss II, Miljenko Turk, Cologne West German Radio Orchestra, Friedrich Haider | F Major | 1 | 7B | 113 BPM | ||
5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision) | Richard Strauss, Leo Slezak, Studio pianist | E Major | 1 | 12B | 172 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: My name is Joe | John Adams, Los Angeles Philharmonic, Daniela Mack, Hye Jung Lee, Paul Appleby, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
Rigoletto, Act I: Questa o Quella | Enrico Caruso | E♭ Major | 1 | 5B | 63 BPM | ||
Time | Bruce Mondek | A♭ Major | 1 | 4B | 99 BPM | ||
Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM |
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