Gottfried von Einem, Max Lorenz, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm's 'Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten' came out on January 1, 1953. The duration of Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottfried von Einem, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm, Walter Berry's "Gottfried von Einem: Der Prozeß, Op. 14 (Live)" album is number 5 out of 19. On top of that, Germany appears to be the country where this track was created. Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Prozeß, Op. 14, Pt. 2: Und jetzt soll ich für die bank arbeiten by Gottfried von Einem, Max Lorenz, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Three Bagatelles: No. 2, Divertimenti in Carnival Serenade | Soeui Lee, Pacific Quintet | F Minor | 4 | 4A | 115 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
The Passenger, Op. 97: Vorspiel | Mieczysław Weinberg, Grazer Philharmonisches Orchester, Roland Kluttig | B♭ Major | 1 | 6B | 91 BPM | ||
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Lux Aeterna: I. Andante misterioso | Rihards Dubra, Saxtett | G Major | 0 | 9B | 66 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Der Prozeß, Op. 14, Pt. 2: Wohnt hier der maler titorelli | Gottfried von Einem, Max Lorenz, László Szemere, Luise Leitner, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 76 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
St. John's Night on Bald Mountain, “A Night on the Bare Mountain” (trans. G. von Einem) | Modest Mussorgsky, Gottfried von Einem, North German Radio Symphony Orchestra, Alfred Walter | D Minor | 2 | 7A | 114 BPM |
Section: 3.5918214321136475
End: 3.596137285232544