Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert's 'Ein Totentanz zu Basel im Jahre 1943: Scene 5: Death and the rich Man' had a release date set for June 20, 2016. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Ein Totentanz zu Basel im Jahre 1943: Scene 5: Death and the rich Man's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 23 in Frank Martin: Ein Totentanz zu Basel im Jahre 1943 by Frank Martin, Associação Recreativa Musical Amigos da Branca, Sacramentskoor Breda, Bastiaan Blomhert. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Ein Totentanz zu Basel im Jahre 1943: Scene 5: Death and the rich Man is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ein Totentanz zu Basel im Jahre 1943: Scene 5: Death and the rich Man by Frank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Trois danses: 1. Seguiriya | Frank Martin, Heinz Holliger, Ursula Holliger, Malcolm Latchem, Kenneth Sillito, Robert Smissen, John Heley, Christopher Laurence, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 2 | 9A | 107 BPM | ||
The Passing of the Year: No. 3. Answer July | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | C Major | 1 | 8B | 102 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Media vita in morte sumus | Nicolas Gombert, Oxford Camerata, Jeremy Summerly | F Minor | 1 | 4A | 143 BPM | ||
Etudes pour orchestre à cordes: Etude No. 2 | Frank Martin, Chamber Orchestra of Europe, Thierry Fischer | E Major | 0 | 12B | 97 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM |