A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) - Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra Information

Acousticness: 82%
Danceability: 8%
Energy: 2%
Instrumentalness: 19%
Liveness: 9%
Loudness: 54%
Speechiness: 4%
Valence: 3%
Popularity: 4%
Loudness: -27.751 dB

Summary

"A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century)" by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra was released on 1986. Since A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 16 in Britten: Spring Symphony, Four Sea Interludes (Peter Grimes) by Benjamin Britten, André Previn, London Symphony Orchestra. A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) BPM

The tempo marking of A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) by Benjamin Britten, Sheila Armstrong, André Previn, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century) Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	F Major	1	7B	77 BPM
Béatrice et Bénédict, Op. 27, H 138: Ouverture	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	G Major	0	9B	101 BPM
Capriccio espagnol, Op. 34: II. Variations	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	92 BPM
5 Stücke im Volkston, Op. 102: 2. Langsam	Robert Schumann, Mstislav Rostropovich, Benjamin Britten	G Major	0	9B	66 BPM
Prelude: 49th Parallel	Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England	G Major	1	9B	84 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM
Marche funebre	Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis	D Minor	0	7A	82 BPM
Japanese Suite, Op. 33: V. Dance under the Cherry Tree	Gustav Holst, Ulster Orchestra, Joann Falletta	B♭ Major	0	6B	85 BPM
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 1, Prelude. Allegro deciso	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	D Minor	1	7A	90 BPM
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour	Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson	B♭ Minor	0	3A	133 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9253242015838623

End: 0.9298107624053955