Johann Sebastian Bach, Jean-François Paillard, Gerard Jarry, Pierre Amoyal, Orchestre de chambre Jean-François Paillard made "Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace" available on March 25, 2022. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 58 out of 169 in Bach: Brandenburg Concertos, Keyboard Concertos, Violin Concertos & Orchestral Suites by Johann Sebastian Bach, Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace by Johann Sebastian Bach, Jean-François Paillard, Gerard Jarry, Pierre Amoyal, Orchestre de chambre Jean-François Paillard is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Johannes-Passion, BWV 245.1: 10. Recitativo: Derselbe Jünger war dem Hohenpriester bekannt | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa, Leopold Görsch, Jannes Arndt, Carlos Voß | F Minor | 2 | 4A | 34 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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