""Das Rheingold": Hieher! Dorthin! (Alberich)" by Zoltan Kelemen was released on January 1, 2005. The duration of "Das Rheingold": Hieher! Dorthin! (Alberich) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. "Das Rheingold": Hieher! Dorthin! (Alberich)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Richard Wagner: Das Rheingold". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. "Das Rheingold": Hieher! Dorthin! (Alberich) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Das Rheingold": Hieher! Dorthin! (Alberich) by Zoltan Kelemen having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berg: Wozzeck: Tanzt Alle; tanzt nur zu, springt... - Act Three | Alban Berg, Geraint Evans, Anja Silja, Fritz Uhl, Laurent Driscoll, Helmut Melkert, Hans Kremmer, Zoltan Kelemen, Klaus Hirte, Jan Van Ree, Gertrude Jan, Wiener Philharmoniker | G Minor | 2 | 6A | 126 BPM | ||
Die erste Walpurgisnacht, Op. 60: So weit gebracht, dass wir bei Nacht (Baritone, Chorus) | Felix Mendelssohn, MDR Leipzig Radio Chorus, Kurt Masur, Leipzig Gewandhaus Orchestra, Siegfried Lorenz | C Major | 3 | 8B | 83 BPM | ||
Rusalka, Op. 114 / Act 1: Stalerá moudrost tvá vsechno vi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
"Das Rheingold": Wehe! Ach wehe! (Alberich, Rheintöchter) | Zoltan Kelemen | D♭ Major | 1 | 3B | 103 BPM | ||
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
La Cenerentola / Act 1: "Un tantin di carità" | Gioachino Rossini, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Minor | 1 | 5A | 61 BPM | ||
Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D Major | 0 | 10B | 145 BPM | ||
Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
Fidelio (highlights) (1989 Digital Remaster), Act I: Ha! Welch ein Augenblick! (Pizzaro/Chorus) | Zoltan Kelemen, Chor der Deutschen Oper Berlin, Herbert von Karajan, Berliner Philharmoniker | B♭ Major | 4 | 6B | 82 BPM |
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