"Preludio, Elegia y Pasapié, Op. 80: III. Pasapié" by Salvador Bacarisse, Cristina Montes was released on September 21, 2018. With Preludio, Elegia y Pasapié, Op. 80: III. Pasapié being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Moonwinds, Cristina Montes, Joan Enric Lluna's "Le jour de l'an" album is number 10 out of 12. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Preludio, Elegia y Pasapié, Op. 80: III. Pasapié is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludio, Elegia y Pasapié, Op. 80: III. Pasapié by Salvador Bacarisse, Cristina Montes to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Solveig's Song | Paavo Berglund | A Minor | 0 | 8A | 91 BPM | ||
Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Pablo Sainz Villegas | A Major | 4 | 11B | 106 BPM | ||
10 Melodias vascas: Amorosa | Jesús Guridi, Bilbao Symphony Orchestra, Juan Jose Mena | C Minor | 0 | 5A | 85 BPM | ||
Zapateado | Pablo de Sarasate, Ángel Jesús García | G Major | 2 | 9B | 100 BPM | ||
Má vlast: The Moldau | Bedřich Smetana, Xavier De Maistre | B♭ Minor | 1 | 3A | 105 BPM | ||
Cello Concerto in A Minor, Op. 22: III. Allegro molto vivace | Salvador Bacarisse, Jose Miguel Gomez, Orquesta Filarmònica de Màlaga, José Luis Estellés | E Major | 1 | 12B | 132 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Violin Concerto No. 1 in E Major, RV 269 "La primavera": 1. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73, Imprerialul, Adagio un poco mosso | Radu Lupu | B Major | 0 | 1B | 92 BPM |
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