George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, James Bowman made "Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy)" available on April 1, 1999. The duration of Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy) is about 3 minutes long, at 3:19. Based on our data, "Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 7 out of 58. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Julius Caesar, HWV 17, Act II Scene 2: Deep within my bosom burning (Ptolemy) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, James Bowman to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: IV. Largo | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XI. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 121 BPM | ||
Ode for the Birthday of Queen Anne, Hwv 74, "eternal Source of Light Divine": Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | D♭ Major | 1 | 3B | 67 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Rinaldo / Act 3: Recitativo: La causa che vi spinge | George Frideric Handel, Bejun Mehta, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 1 | 1A | 82 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |
Section: 0.6205813884735107
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