"Serse: Aria: Ombra mai fu" by Il Seminario Musicale, Gérard Lesne was released on 1995. The duration of Serse: Aria: Ombra mai fu is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Serse: Aria: Ombra mai fu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gérard Lesne's "Gérard Lesné - Ombra mai fu" album is number 2 out of 17. Serse: Aria: Ombra mai fu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria: Ombra mai fu by Il Seminario Musicale, Gérard Lesne to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Silent Songs: No. 2 Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 0 | 8A | 132 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Cuydados meus tao cuidados | 16th century, Gérard Lesne | F Major | 0 | 7B | 33 BPM | ||
Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.19. Solveig's song | Edvard Grieg, Mary-Anne Haeggander, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 77 BPM | ||
Missa assumpta est Maria, H. 11a: II. Kyrie 1 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | B Major | 4 | 1B | 150 BPM |
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