"Cuydados meus tao cuidados" by 16th century, Gérard Lesne was released on 1992. With Cuydados meus tao cuidados being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "O Lusitano". In this album, this song's track order is #5. Cuydados meus tao cuidados is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cuydados meus tao cuidados by 16th century, Gérard Lesne having a BPM of 33 with a half-time of 16 BPM and a double-time of 66 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM | ||
Der ander Theil des Lautenbuchs: Ich klag den tag (I lament the day) | Hans Neusidler, Ronn McFarlane | F♯ Major | 0 | 2B | 80 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Puestos estan frente a frente | 16th century, Gérard Lesne | E Minor | 3 | 9A | 81 BPM | ||
Missa pro defunctis: V. Sanctus | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Major | 3 | 11B | 80 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM |
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