Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams made "24. Away, away, my heart's on fire" available on January 1, 1968. With 24. Away, away, my heart's on fire being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 10 out of 40. 24. Away, away, my heart's on fire is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 24. Away, away, my heart's on fire by Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Christene Palmer, Philip Potter, Donald Adams to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song | Edvard Grieg, Sir Thomas Beecham, Ilse Hollweg, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 88 BPM | ||
H.M.S. Pinafore, Act I: My Friends, My Leave of Life I'm Taking | Gilbert & Sullivan Society of Houston | E♭ Minor | 2 | 2A | 171 BPM | ||
When You Wish Upon a Star | Royal Philharmonic Orchestra | C Major | 1 | 8B | 101 BPM | ||
Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 77 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Puccini: Madama Butterfly, Act 1: "Ieri son salita tutta sola" (Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 1 | 11B | 80 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Is not his word like a fire!" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E♭ Major | 1 | 5B | 78 BPM |
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