"Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto)" by Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1998. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #9 out of 40 tracks. Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) by Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Recitativo e Duetto. "Pari siamo!... io la lingua"(Rigoletto) being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Manon Lescaut / Act 3: Ansia eterna, crudel | Giacomo Puccini, Luciano Pavarotti, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | A Minor | 1 | 8A | 86 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Rosemarie Lang, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Aida: Danza di piccoli schiavi mori | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | A♭ Major | 1 | 4B | 81 BPM | ||
Manon Lescaut / Act 1: Di sedur la sorellina è il momento | Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 141 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Pace e gioia sia con voi (Conte/Bartolo) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | B♭ Major | 2 | 6B | 102 BPM | ||
Simon Boccanegra / Prologue: Che dicesti? (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
Nabucco / Act 3: Oh, chi piange? / Del futuro nel buoio discerno | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | B Major | 2 | 1B | 98 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 1: "Si, fino all’ore estreme" | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Major | 5 | 7B | 135 BPM |
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