"Wesley: Christ, Whose Glory Fills the Skies (Heathlands) - 1. Christ, Whose Glory Fills the Skies" by Methodist Central Hall Choir, Westminster, John Chapman was released on January 1, 1985. With Wesley: Christ, Whose Glory Fills the Skies (Heathlands) - 1. Christ, Whose Glory Fills the Skies being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 51 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wesley: Christ, Whose Glory Fills the Skies (Heathlands) - 1. Christ, Whose Glory Fills the Skies is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wesley: Christ, Whose Glory Fills the Skies (Heathlands) - 1. Christ, Whose Glory Fills the Skies by Methodist Central Hall Choir, Westminster, John Chapman is Lento (slowly), since this song has a tempo of 53 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To God Be the Glory | Harvard University Choir | G Major | 2 | 9B | 105 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
Come, Holy Ghost, Our Souls Inspire | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 0 | 5B | 110 BPM | ||
When in Our Music God Is Glorified | Harvard University Choir | D Minor | 1 | 7A | 81 BPM | ||
How Deep The Father's Love | BBC Radio 4 Daily Service Singers | D Major | 2 | 10B | 115 BPM | ||
Michael "All My Hope on God Is Founded" | Herbert Howells, Liverpool Metropolitan Cathedral Choir, Richard Lea, Mervyn Cousins | F Major | 1 | 7B | 82 BPM | ||
Christ Is Mine | Rejike | E♭ Minor | 1 | 2A | 94 BPM | ||
Sleep (orch. Jim Clements) | Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens | C Major | 3 | 8B | 104 BPM | ||
I Sing a Maid | Daughters Of St. Paul | F Major | 1 | 7B | 77 BPM |
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