"St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful" by Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens was released on March 3, 2015. The duration of St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 17 in Bob Chilcott: St John Passion by Bob Chilcott, Wells Cathedral Choir, Jonathan Vaughn, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, Part I: Hymn: It Is A Thing Most Wonderful by Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Jonathan Vaughn, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Matthew Owens is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nachtlied: Die Nacht ist kommen, Op. 138/3 | Max Reger, Thomas Hengelbrock | B Minor | 0 | 10A | 176 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
The Waves are Sleepy | St. Petersburg Optina Pustyn Male Choir | A♭ Major | 1 | 4B | 138 BPM | ||
Furusato: Furusato (Homeland) | Bob Chilcott, NFM Wrocław Philharmonic Choir | G Major | 0 | 9B | 81 BPM | ||
4 Shakespeare Songs: No. 4. Full fathom five | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 1 | 4B | 89 BPM | ||
Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) | Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir | A Minor | 1 | 8A | 80 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Alleluia | Randall Thompson, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 82 BPM | ||
Wie liegt die Stadt so wust | Rudolf Mauersberger, Sospiri, Christopher Watson | B♭ Minor | 0 | 3A | 145 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM |
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